With Opera Opera. Allegro ma non troppo, the PalaisPopulaire is showcasing an exhibition dealing with the Opera that is as singular as it is beloved—and an elementary aspect of Italian culture.
Conceived by MAXXI National Museum of the XXI Century Arts in Rome and curated by Hou Hanru, Bartolomeo Pietromarchi, and Eleonora Farina, the show reveals the rich and complex meaning of “opera,” at once as a conceptual category and a form, from the perspective of contemporary visual and sound art as well as architecture through a wide selection of significant artworks from the MAXXI Collection.
The large-scale exhibition fills the entire space and transforms the PalaisPopulaire into a unique artwork with four thematic sections: Backstage (Gallery 2), Prelude (Gallery1), Theatre of the Everyday (Gallery 3), and Stage (Terrace).
Opera, whose name derives from the Italian word for “work,” is a genre in constant flux that has always staged the process of creation, work, and doing through imagination and creativity. In this sense, Opera Opera is a Gesamtkunstwerk, a total and complex work of art, a fruitful place for artistic and interdisciplinary encounters capable of addressing theatre and the representation of the self and the world. The invited artists investigate topics such as the body and its musicality, the performativity of the artistic gesture, the theatricality of the everyday, the socio-political impacts on reality change through incorporating music and sound, taking the visitor on a sensory journey capable of recreating eclectic and participatory spaces where the boundary between art and life, between staging and reality, is subtly subverted.
Opera Opera opens up a perspective of European collaboration, in which the powerful artistic exchange that has always enriched the cultural souls of Germany and Italy is recounted in the exhibition through a shared narrative of peoples and nations, all the more useful given the uncertain spirit of our times. This uncertainty is also reflected in the subtitle, Allegro ma non troppo. In music indicative of speed, Allegro ma non troppo refers to the identity and cultural combination of tragedy and comedy; it is the tragedy of the present, the difficulty of facing today while maintaining an optimistic outlook on the future.
With poetry and audacity, beauty and irony, Opera Opera raises the curtain on collective history and our everyday lives, paying homage to the dramas and joys of life.
Information
AW100
With Opera Opera. Allegro ma non troppo, the PalaisPopulaire is showcasing an exhibition dealing with the Opera that is as singular as it is beloved—and an elementary aspect of Italian culture.
Conceived by MAXXI National Museum of the XXI Century Arts in Rome and curated by Hou Hanru, Bartolomeo Pietromarchi, and Eleonora Farina, the show reveals the rich and complex meaning of “opera,” at once as a conceptual category and a form, from the perspective of contemporary visual and sound art as well as architecture through a wide selection of significant artworks from the MAXXI Collection.
The large-scale exhibition fills the entire space and transforms the PalaisPopulaire into a unique artwork with four thematic sections: Backstage (Gallery 2), Prelude (Gallery1), Theatre of the Everyday (Gallery 3), and Stage (Terrace).
Opera, whose name derives from the Italian word for “work,” is a genre in constant flux that has always staged the process of creation, work, and doing through imagination and creativity. In this sense, Opera Opera is a Gesamtkunstwerk, a total and complex work of art, a fruitful place for artistic and interdisciplinary encounters capable of addressing theatre and the representation of the self and the world. The invited artists investigate topics such as the body and its musicality, the performativity of the artistic gesture, the theatricality of the everyday, the socio-political impacts on reality change through incorporating music and sound, taking the visitor on a sensory journey capable of recreating eclectic and participatory spaces where the boundary between art and life, between staging and reality, is subtly subverted.
Opera Opera opens up a perspective of European collaboration, in which the powerful artistic exchange that has always enriched the cultural souls of Germany and Italy is recounted in the exhibition through a shared narrative of peoples and nations, all the more useful given the uncertain spirit of our times. This uncertainty is also reflected in the subtitle, Allegro ma non troppo. In music indicative of speed, Allegro ma non troppo refers to the identity and cultural combination of tragedy and comedy; it is the tragedy of the present, the difficulty of facing today while maintaining an optimistic outlook on the future.
With poetry and audacity, beauty and irony, Opera Opera raises the curtain on collective history and our everyday lives, paying homage to the dramas and joys of life.
Further links on the topic
Further artworks from this exhibition
Backstage Intro
Michelangelo Pistoletto
Quadro di fili elettrici, 1967
Luca Vitone
Sonorizzare il luogo (Grand Tour), 1989-2001
Armin Linke
Chamber of Deputies, Rome, Italy, 2007
From the serie/ aus der Serie Il Corpo dello Stato, 2002-2009
Giorgio Andreotta Calò
Scale model for Senza titolo (La fine del mondo), 2017-2018
Prelude Intro
Maurizio Nannucci
The missing poem is the poem, 1969
Theatre of the Everyday Intro
Jimmie Durham
A Proposal for a New International Genuflexion in Promotion of World Peace, 2007
Rosa Barba
NO - Orchestra con nastro, 2022
Luigi Ontani
Davide e Prigioni. L'après Michelangelo, 1970
Kara Walker
For the Benefit of All the Races of Mankind [(Mos’ Specially the Master One, Boss) An Exhibition of Artifacts, Remnants, and Effluvia Excavated from the Black Heart of a Negress II], 2002
William Kentridge
Preparing the Flute, 2005
Chen Zhen
Un-interrupted Voice, 1998
Stage Intro
Susan Philipsz
Wild Is the Wind, 2002
Olaf Nicolai
Positi. Rome Version, 2022