For this group of studies for his series "Colonies Bite Back", Wong Hoy Cheong collected British textbooks from the late colonial period and fed them to a colony of termites. The insects gorged themselves, leaving the books, which once provided the ideological underpinning for Britain’s colonial endeavours, riddled with holes.
Wong Hoy Cheong grew up in Penang – once a major centre of the British colonial administration in Malaysia. His childhood there continues to influence his artistic work. The issues he explores in that work include the Malays' suffering under Japanese occupation during the Second World War and the process of breaking away from colonial rule prior to independence in 1957. He sees the country as: "Perhaps the most complex multi-ethnic and cultural country in the world".
The tattered pages, which are suggestive of maps, are a meditation on change, implying the disintegration of the British empire and its waning influence on Malaysian culture.
Information
Wong Hoy Cheong
*1960, Penang, Malaysia
Lives and works in Kuala Lumpur, Malaysia
© Wong Hoy Cheong
Audioguide
For this group of studies for his series "Colonies Bite Back", Wong Hoy Cheong collected British textbooks from the late colonial period and fed them to a colony of termites. The insects gorged themselves, leaving the books, which once provided the ideological underpinning for Britain’s colonial endeavours, riddled with holes.
Wong Hoy Cheong grew up in Penang – once a major centre of the British colonial administration in Malaysia. His childhood there continues to influence his artistic work. The issues he explores in that work include the Malays' suffering under Japanese occupation during the Second World War and the process of breaking away from colonial rule prior to independence in 1957. He sees the country as: "Perhaps the most complex multi-ethnic and cultural country in the world".
The tattered pages, which are suggestive of maps, are a meditation on change, implying the disintegration of the British empire and its waning influence on Malaysian culture.
Further artworks from this exhibition
Intro
Sammy Baloji
Untitled, 2018
Lubaina Himid
Dreaming Has a Share in History, 2016
Yto Barrada
Belvedere 3, 2001
Jo Ractliffe
Details of Tiled Murals at the Fortaleza de São Miguel, Depicting Portuguese Explorations in Africa 6, 2007
Zohra Opoku
‘I have arisen from my egg which is in the lands of the secrets. I give my mouth to myself (so that) I may speak with it in the presence of the gods of the Duat. My hand shall not be turned away from the council of the great god Osiris, Lord of Rosetau, this one who is at the top of the dais. I have come (so that) I may do what my heart desires in the Island of Fire, extinguihing the fire which hcomes forth.', 2020
Alberta Whittle
Power from Below: decolonial agents (matrix), 2021
Dineo Seshee Bopape
Lerole: footnotes (The struggle of memory against forgetting), 2017