Belvedere is Italian for "beautiful view". In architecture, it's the term for balconies or buildings that offer a magnificent, wide-ranging view. In this instance, the horizon has dissolved into mist. An elderly man stands in front of a wall covered in graffiti looking out over the water from Africa towards Europe. He's standing in the port of Tangier, the Moroccan city on the Strait of Gibraltar, the point at which the distance between Africa and Europe is a mere 13 kilometres or 8 miles. Since the Schengen Agreement was signed in 1985, Moroccans no longer have the right to travel to Europe freely. While millions of tourists visit Morocco from Europe, the neighbouring continent has receded into the distance for Moroccans. Many look across from here to Europe and imagine a better life worth risking their lives for. People who risk the dangerous crossing are sometimes described in Tangier as “having burned," according to Yto Barrada.
…"because you burn your past, your identity, your papers. […] The fact that the border is closed creates this situation of longing, desire to cross, and the violence of that desire is that it's confronted to a wall. What I try to describe in my images is that state, that situation."
Information
Yto Barrada
*1971, Paris, France
Lives and works in Tangier, Morocco and New York, USA
© Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg
Audioguide
Belvedere is Italian for "beautiful view". In architecture, it's the term for balconies or buildings that offer a magnificent, wide-ranging view. In this instance, the horizon has dissolved into mist. An elderly man stands in front of a wall covered in graffiti looking out over the water from Africa towards Europe. He's standing in the port of Tangier, the Moroccan city on the Strait of Gibraltar, the point at which the distance between Africa and Europe is a mere 13 kilometres or 8 miles. Since the Schengen Agreement was signed in 1985, Moroccans no longer have the right to travel to Europe freely. While millions of tourists visit Morocco from Europe, the neighbouring continent has receded into the distance for Moroccans. Many look across from here to Europe and imagine a better life worth risking their lives for. People who risk the dangerous crossing are sometimes described in Tangier as “having burned," according to Yto Barrada.
…"because you burn your past, your identity, your papers. […] The fact that the border is closed creates this situation of longing, desire to cross, and the violence of that desire is that it's confronted to a wall. What I try to describe in my images is that state, that situation."
Further artworks from this exhibition
Intro
Sammy Baloji
Untitled, 2018
Lubaina Himid
Dreaming Has a Share in History, 2016
Jo Ractliffe
Details of Tiled Murals at the Fortaleza de São Miguel, Depicting Portuguese Explorations in Africa 6, 2007
Zohra Opoku
‘I have arisen from my egg which is in the lands of the secrets. I give my mouth to myself (so that) I may speak with it in the presence of the gods of the Duat. My hand shall not be turned away from the council of the great god Osiris, Lord of Rosetau, this one who is at the top of the dais. I have come (so that) I may do what my heart desires in the Island of Fire, extinguihing the fire which hcomes forth.', 2020
Alberta Whittle
Power from Below: decolonial agents (matrix), 2021
Wong Hoy Cheong
Study for Colonies Bite Back, 2001
Dineo Seshee Bopape
Lerole: footnotes (The struggle of memory against forgetting), 2017