Are we looking at the remains of a foundation? A garden? A stage? On top of the carefully arranged piles of bricks, Dineo Seshee Bopape has arranged various materials: sand, earth, clay, gold leaf, charcoal, ash, herbs and incense. Her installation is a memorial against forgetting. Texts are inscribed on small wooden plaques, detailing acts of resistance by African people, challenging the assumption that Africans did not oppose the slavery and colonisation.
This installation also commemorates Robert Sobukwe, an anti-apartheid activist who co-founded the Pan African Congress and was imprisoned on Robben Island. While kept in solitary confinement, Sobukwe apparently greeted new political prisoners by picking up a handful of soil and clasping it in his fist. Bopape alludes to this by including hundreds of small clay objects formed by the clenched fists of African immigrants in her installation. They reference the power to shape the future through collective action.
The song of the colourful quetzal bird from South America, which dies if kept in captivity, rings out from the record players arranged around the room. There's also the sound of waves, which the artist recorded on the shores of the African continent. With this soundscape of birdsong and the ocean, Bopape evokes the memory of the men and women transported to the Americas as slaves.
Information
Dineo Seshee Bopape
*1981, Polokwane, South Africa
Lives and works in all over the world
© Courtesy the artist and Sfeir-Semler Gallery Beirut / Hamburg
Photo: Mathias Schormann
Audioguide
Are we looking at the remains of a foundation? A garden? A stage? On top of the carefully arranged piles of bricks, Dineo Seshee Bopape has arranged various materials: sand, earth, clay, gold leaf, charcoal, ash, herbs and incense. Her installation is a memorial against forgetting. Texts are inscribed on small wooden plaques, detailing acts of resistance by African people, challenging the assumption that Africans did not oppose the slavery and colonisation.
This installation also commemorates Robert Sobukwe, an anti-apartheid activist who co-founded the Pan African Congress and was imprisoned on Robben Island. While kept in solitary confinement, Sobukwe apparently greeted new political prisoners by picking up a handful of soil and clasping it in his fist. Bopape alludes to this by including hundreds of small clay objects formed by the clenched fists of African immigrants in her installation. They reference the power to shape the future through collective action.
The song of the colourful quetzal bird from South America, which dies if kept in captivity, rings out from the record players arranged around the room. There's also the sound of waves, which the artist recorded on the shores of the African continent. With this soundscape of birdsong and the ocean, Bopape evokes the memory of the men and women transported to the Americas as slaves.
Further artworks from this exhibition
Intro
Sammy Baloji
Untitled, 2018
Lubaina Himid
Dreaming Has a Share in History, 2016
Zohra Opoku
‘I have arisen from my egg which is in the lands of the secrets. I give my mouth to myself (so that) I may speak with it in the presence of the gods of the Duat. My hand shall not be turned away from the council of the great god Osiris, Lord of Rosetau, this one who is at the top of the dais. I have come (so that) I may do what my heart desires in the Island of Fire, extinguihing the fire which hcomes forth.', 2020