In the drawing Schlachtenseerosen am 8. Juni 1986 (1986) three figures join in a group. Their heads are obstructed but their poses seem familiar, as in Eduard Manet’s lunching trio (or perhaps Picasso’s version of the painting). The often androgynous, non-binary usually dispense with biological categories and place the perceived physicality in the foreground.
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GALLI
© Courtesy the artist and Kraupa-Tuskany Zeidler, Berli
In the drawing Schlachtenseerosen am 8. Juni 1986 (1986) three figures join in a group. Their heads are obstructed but their poses seem familiar, as in Eduard Manet’s lunching trio (or perhaps Picasso’s version of the painting). The often androgynous, non-binary usually dispense with biological categories and place the perceived physicality in the foreground.
Further artworks from this exhibition
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o.T., 2010
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Küchenbild rosa, 1994-2003
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o.T. (...die Blumen und wo den Sonnenschein und den Schatten der Erde...), 1987–1998
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o.T., 1994–2005
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Hier wohnt der Schweinepeitschenwurm, 2004–2014
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Langes Bild, 1985–1987
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o.T. (17.6.88), 1988
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o.T. (Freisemesterbericht), filmed in December 2007
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o.T. (Buch # 2_Liebe & Lyrik sind zweckfrei), filmed in December 2007
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Ohne Titel, Juli 2001–Juni 2007
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Für Edeltraud, Autobahngeschichte 1999, Dezember 1999
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Zustimmenden Engeln, November 1998–Februar 2000
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Ohne Titel, 2011–2015, Juli 2013
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ja, 29. Oktober–29. Dezember 2013
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Index Cards, 2000–06
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