Born in Shanghai, LuYang is one of the most important contemporary Asian artists and this year’s Deutsche Bank “Artist of the Year.” LuYang belongs to a young art scene in China inspired by science fiction, manga, gaming, and techno culture that works with hypermodern technologies and deals with the ideas of posthumanism or transhumanism. These schools of thought explore how to extend the limits of human possibilities through the use of high-tech. What is extraordinary about LuYang’s work is that the posthuman is put in the context of Buddhist and Hindu cosmologies.
The exhibition DOKU Experience Center focuses entirely on a virtual reincarnation called Dokusho Dokushi, or DOKU for short. The gender-neutral avatar is a hyperrealistic figure whose countenance is modeled on LuYang’s face. All facial expressions and movement patterns are performed by dancers and then recorded using motion capture technology, a process that generates 3D models on this basis for video games, for example.
As in a futuristic research laboratory, all six digital versions of DOKU can be experienced in the exhibition. In addition to the first narrative video DOKU the Self, LuYang’s music video DOKU the Matrix, conceived expressly for the show, and the new series Bardo #1, which shows the avatar with its respective attributes in round mandala compositions, are presented.
LuYang studied at the China Academy of Arts in Hangzhou and lives and works in Shanghai. Since 2015, LuYang has been involved in numerous group exhibitions worldwide, currently at The Milk of Dreams, 59th Venice Biennale. The artist has had solo exhibitions in Beijing, Moscow, and most recently Aarhus and Erlangen, and as of end of September at the Zabludowicz Collection. 2019 awardee of the BMW Art Journey.
Information
Born in Shanghai, LuYang is one of the most important contemporary Asian artists and this year’s Deutsche Bank “Artist of the Year.” LuYang belongs to a young art scene in China inspired by science fiction, manga, gaming, and techno culture that works with hypermodern technologies and deals with the ideas of posthumanism or transhumanism. These schools of thought explore how to extend the limits of human possibilities through the use of high-tech. What is extraordinary about LuYang’s work is that the posthuman is put in the context of Buddhist and Hindu cosmologies.
The exhibition DOKU Experience Center focuses entirely on a virtual reincarnation called Dokusho Dokushi, or DOKU for short. The gender-neutral avatar is a hyperrealistic figure whose countenance is modeled on LuYang’s face. All facial expressions and movement patterns are performed by dancers and then recorded using motion capture technology, a process that generates 3D models on this basis for video games, for example.
As in a futuristic research laboratory, all six digital versions of DOKU can be experienced in the exhibition. In addition to the first narrative video DOKU the Self, LuYang’s music video DOKU the Matrix, conceived expressly for the show, and the new series Bardo #1, which shows the avatar with its respective attributes in round mandala compositions, are presented.
LuYang studied at the China Academy of Arts in Hangzhou and lives and works in Shanghai. Since 2015, LuYang has been involved in numerous group exhibitions worldwide, currently at The Milk of Dreams, 59th Venice Biennale. The artist has had solo exhibitions in Beijing, Moscow, and most recently Aarhus and Erlangen, and as of end of September at the Zabludowicz Collection. 2019 awardee of the BMW Art Journey.
All artworks © LuYang, courtesy the artist and Société, Berlin
Further links on the topic
Further artworks from this exhibition
Intro into the exhibition
100
Intro into the exhibition
Lawrence Weiner, THE GRACE OF GESTURE, 2010
101
Lawrence Weiner, THE GRACE OF GESTURE, 2010
On Kawara, JUNE 1, 1967, 1967
102
On Kawara, JUNE 1, 1967, 1967
Chapter: wordsearch - Concept and Poetry
Karin Sander, wordsearch, 2002
103
Karin Sander, wordsearch, 2002
Chapter: wordsearch - Concept and Poetry
Etel Adnan, The Linden Tree Poems, 2019
104
Etel Adnan, The Linden Tree Poems, 2019
Chapter: wordsearch - Concept and Poetry
Natalie Czech, A poem by Repetition by Emmett Williams, 2013
105
Natalie Czech, A poem by Repetition by Emmett Williams, 2013
Chapter: wordsearch - Concept and Poetry
Herta Müller, Paper Collages, 2012
106
Herta Müller, Paper Collages, 2012
Chapter: wordsearch - Concept and Poetry
Marcel Dzama, Ulysses, 2009
107
Marcel Dzama, Ulysses, 2009
Chapter: Ulysses - Narration and Identity
Claudia Comte, Cecilia (interview painting), 2021
108
Claudia Comte, Cecilia (interview painting), 2021
Chapter: Ulysses - Narration and Identity
Slavs and Tatars, Molla Nasreddin the antimodern, 2012
109
Slavs and Tatars, Molla Nasreddin the antimodern, 2012
Chapter: Ulysses - Narration and Identity
Yinka Shonibare CBE, The African Library Collection (Poets), 2022
110
Yinka Shonibare CBE, The African Library Collection (Poets), 2022
Chapter: Ulysses - Narration and Identity
Larissa Fassler, Regent Street/Regent's Park (Dickens thought it looked like a racetrack), 2009
111
Larissa Fassler, Regent Street/Regent's Park (Dickens thought it looked like a racetrack), 2009
Chapter: Map of Utopia - History, Cartography, Worlds Design
Joseph Beuys, Initiation Gauloise, 1976
112
Joseph Beuys, Initiation Gauloise, 1976
Chapter: Map of Utopia - History, Cartography, Worlds Design
Qiu Zhijie, 24 World Maps, 2015-2017
113
Qiu Zhijie, 24 World Maps, 2015-2017
Chapter: Map of Utopia - History, Cartography, Worlds Design
Agathe Snow, Walls, 2010
114
Agathe Snow, Walls, 2010
Chapter: Map of Utopia - History, Cartography, Worlds Design
William Kentridge, Anti-Mercator, 2010-2011 & Untitled, Drawing for Black Box / Chambre Noire, 2005
115
William Kentridge, Anti-Mercator, 2010-2011 & Untitled, Drawing for Black Box / Chambre Noire, 2005
Chapter: Map of Utopia - History, Cartography, Worlds Design
Meschac Gaba, Museum of Contemporary African Art in Berlin, 2014
116
Meschac Gaba, Museum of Contemporary African Art in Berlin, 2014
Chapter: Map of Utopia - History, Cartography, Worlds Design
Wong Hoy Cheong, Study for Colonies Bite Back, 2001
117
Wong Hoy Cheong, Study for Colonies Bite Back, 2001
Chapter: Map of Utopia - History, Cartography, Worlds Design
Ellen Gallagher, La Chinoise, 2008
118
Ellen Gallagher, La Chinoise, 2008
Chapter: Map of Utopia - History, Cartography, Worlds Design
Mounira Al Solh, His Funeral, Our Funeral, Their Funeral, 2023
120
Mounira Al Solh, His Funeral, Our Funeral, Their Funeral, 2023
Chapter: Home of My Eyes - Home and Exile
Shirin Neshat, Home of My Eyes, 2015
121
Shirin Neshat, Home of My Eyes, 2015
Chapter: Home of My Eyes - Home and Exile
Viviane Sassen, Code/Blue, 2019
122
Viviane Sassen, Code/Blue, 2019
Chapter: Small Right Hand Down - Democracy and Freedom
Jenny Holzer, Redaction Paintings, 2005-2008
123
Jenny Holzer, Redaction Paintings, 2005-2008
Chapter: Small Right Hand Down - Democracy and Freedom
Annette Kelm, Jeans Buttons, 2023
125
Annette Kelm, Jeans Buttons, 2023
Chapter: Small Right Hand Down - Democracy and Freedom
Mounira Al Solh, Sama'/Ma'as (Ba'ath), 2014
126
Mounira Al Solh, Sama'/Ma'as (Ba'ath), 2014
Chapter: Seelenfenster - Gesture, Movement, Cipher
Charles Hossein Zenderoudi, Chucavira, 1985
127
Charles Hossein Zenderoudi, Chucavira, 1985
Chapter: Seelenfenster - Gesture, Movement, Cipher
Siah Armajani, Panje Tan, 1960
128
Siah Armajani, Panje Tan, 1960
Chapter: Seelenfenster - Gesture, Movement, Cipher
Ahmed Mater, Sajdah Illumination, 2009
130
Ahmed Mater, Sajdah Illumination, 2009
Chapter: Seelenfenster - Gesture, Movement, Cipher
Imi Knoebel, Pencil drawings, untitled, 1972
131
Imi Knoebel, Pencil drawings, untitled, 1972
Chapter: Seelenfenster - Gesture, Movement, Cipher
Yang Jiechang, 100 Layers of Ink, 1992-1994
133
Yang Jiechang, 100 Layers of Ink, 1992-1994
Chapter: Seelenfenster - Gesture, Movement, Cipher
Yūichi Inoue, TORI, 1976
132
Yūichi Inoue, TORI, 1976
Chapter: Seelenfenster - Gesture, Movement, Cipher
Rebecca Horn, Seelenfenster (Painting with Sculpture “Zimbel Zen”), 2012
134
Rebecca Horn, Seelenfenster (Painting with Sculpture “Zimbel Zen”), 2012
Chapter: Seelenfenster - Gesture, Movement, Cipher
Shiryū Morita, KI (JU), 1989
135
Shiryū Morita, KI (JU), 1989
Chapter: Seelenfenster - Gesture, Movement, Cipher
Introduction of the exhibition
300
GOOD MORNING YOUNG BODY, 2021-23
301
public solitude, 2022
302
Majie, 2016
303
The Moon is Wet, 2025
304
What’s softest in the world rushes and runs over what’s hardest in the world, 2024
305
Introduction of the exhibition
It's Just a Matter of Time
Tony Cokes, Adrian Piper, Ayşe Erkmen
Outdoor
Julian Irlinger, James Gregory Atkinson, Philippe Parreno, Petrit Haliaj
Rotunda
Shilpa Gupta
Room 1
Max Beckmann, Lena Henke, Nancy Lupo, Heidi Bucher, Martin Kippenberger, Rachel Whiteread
Room 2
Cildo Meireles, Wisrah Celestino, Kai Althoff, Kandis Williams
Transition Room 2 to Room 3
Felix Gonzalez-Torres, George Tony Stoll, Manfred Paul, Julia Phillips, Shilpa Gupta
Room 3
Cornelia Schleime, Marianne Berenhaut, Christo, Rosemarie Trockel, Latifa Echakhch
Room 4
Intro
Intro
DOKU Hell
Gerhard Richter
Farbfelder 6 Anordnungen von 1260 Farben, 1974