The meeting of different ethnicities and languages Shirin Neshat’s black-and-white portraits in the series Home of My Eyes depict people of all ages from Azerbaijan with very different backgrounds and ethnic affiliations. The Iranian artist, photographer, and filmmaker, who resides in the United States, primarily addresses the situation of women in Iran, but also questions of identity, migration, and power structures. For The Home of My Eyes (2015), she focused for the first time on the population of Azerbaijan, turning her attention to another society in which diverse ethnicities, religions, and languages come together, many originating from places such as Iran, Armenia, Russia, or Turkey.
A mother’s cooking For her fifty-five portraits, she asked all participants the same question: What does “home” mean to you? It was significant that many of them had a migrant background and that their culture was rooted in other countries. Most of those interviewed answered very simply and pragmatically, Neshat recalls. Often it was small things: the smell of their mother’s cooking, or the blossoms opening on the first day of spring in Baku.
A delicate seismographic fabric The answers were first translated into English and then into Farsi. Neshat’s texts, written in calligraphy across the portraits, overlay every exposed area of skin on the face, arms, and hands. They extend across the photographs like a hair-thin, seismographic fabric, uniting the interviewees’ responses with poems by Nizami Ganjavi, a twelfth-century Iranian poet who lived in what is now Azerbaijan.
Portrait of a country For Neshat, language is quite literally inscribed in people. As in her own biography, feelings of home are linked here to memories of uprooting, loss, and grief. At the same time, Neshat’s series forms a portrait of a country. For her, the subjects come together “into a mosaic of human faces that pays tribute to Azerbaijan’s rich cultural history and its diversity.”
Information
The meeting of different ethnicities and languages
Shirin Neshat’s black-and-white portraits in the series Home of My Eyes depict people of all ages from Azerbaijan with very different backgrounds and ethnic affiliations. The Iranian artist, photographer, and filmmaker, who resides in the United States, primarily addresses the situation of women in Iran, but also questions of identity, migration, and power structures. For The Home of My Eyes (2015), she focused for the first time on the population of Azerbaijan, turning her attention to another society in which diverse ethnicities, religions, and languages come together, many originating from places such as Iran, Armenia, Russia, or Turkey.
A mother’s cooking
For her fifty-five portraits, she asked all participants the same question: What does “home” mean to you? It was significant that many of them had a migrant background and that their culture was rooted in other countries. Most of those interviewed answered very simply and pragmatically, Neshat recalls. Often it was small things: the smell of their mother’s cooking, or the blossoms opening on the first day of spring in Baku.
A delicate seismographic fabric
The answers were first translated into English and then into Farsi. Neshat’s texts, written in calligraphy across the portraits, overlay every exposed area of skin on the face, arms, and hands. They extend across the photographs like a hair-thin, seismographic fabric, uniting the interviewees’ responses with poems by Nizami Ganjavi, a twelfth-century Iranian poet who lived in what is now Azerbaijan.
Portrait of a country
For Neshat, language is quite literally inscribed in people. As in her own biography, feelings of home are linked here to memories of uprooting, loss, and grief. At the same time, Neshat’s series forms a portrait of a country. For her, the subjects come together “into a mosaic of human faces that pays tribute to Azerbaijan’s rich cultural history and its diversity.”
Audio
Note: The audio transcription is voiced by an AI.
Shirin Neshat, Malaksima, 2015
From the series The Home of My Eyes, 2015
Silver gelatin print and ink on paper
© Shirin Neshat. Courtesy of the artist and Gladstone
Written Art Collection
Further artworks from this exhibition
Intro into the exhibition
100
Intro into the exhibition
Lawrence Weiner, THE GRACE OF GESTURE, 2010
101
Lawrence Weiner, THE GRACE OF GESTURE, 2010
On Kawara, JUNE 1, 1967, 1967
102
On Kawara, JUNE 1, 1967, 1967
Chapter: wordsearch - Concept and Poetry
Karin Sander, wordsearch, 2002
103
Karin Sander, wordsearch, 2002
Chapter: wordsearch - Concept and Poetry
Etel Adnan, The Linden Tree Poems, 2019
104
Etel Adnan, The Linden Tree Poems, 2019
Chapter: wordsearch - Concept and Poetry
Natalie Czech, A poem by Repetition by Emmett Williams, 2013
105
Natalie Czech, A poem by Repetition by Emmett Williams, 2013
Chapter: wordsearch - Concept and Poetry
Herta Müller, Paper Collages, 2012
106
Herta Müller, Paper Collages, 2012
Chapter: wordsearch - Concept and Poetry
Marcel Dzama, Ulysses, 2009
107
Marcel Dzama, Ulysses, 2009
Chapter: Ulysses - Narration and Identity
Claudia Comte, Cecilia (interview painting), 2021
108
Claudia Comte, Cecilia (interview painting), 2021
Chapter: Ulysses - Narration and Identity
Slavs and Tatars, Molla Nasreddin the antimodern, 2012
109
Slavs and Tatars, Molla Nasreddin the antimodern, 2012
Chapter: Ulysses - Narration and Identity
Yinka Shonibare CBE, The African Library Collection (Poets), 2022
110
Yinka Shonibare CBE, The African Library Collection (Poets), 2022
Chapter: Ulysses - Narration and Identity
Larissa Fassler, Regent Street/Regent's Park (Dickens thought it looked like a racetrack), 2009
111
Larissa Fassler, Regent Street/Regent's Park (Dickens thought it looked like a racetrack), 2009
Chapter: Map of Utopia - History, Cartography, Worlds Design
Joseph Beuys, Initiation Gauloise, 1976
112
Joseph Beuys, Initiation Gauloise, 1976
Chapter: Map of Utopia - History, Cartography, Worlds Design
Qiu Zhijie, 24 World Maps, 2015-2017
113
Qiu Zhijie, 24 World Maps, 2015-2017
Chapter: Map of Utopia - History, Cartography, Worlds Design
Agathe Snow, Walls, 2010
114
Agathe Snow, Walls, 2010
Chapter: Map of Utopia - History, Cartography, Worlds Design
William Kentridge, Anti-Mercator, 2010-2011 & Untitled, Drawing for Black Box / Chambre Noire, 2005
115
William Kentridge, Anti-Mercator, 2010-2011 & Untitled, Drawing for Black Box / Chambre Noire, 2005
Chapter: Map of Utopia - History, Cartography, Worlds Design
Meschac Gaba, Museum of Contemporary African Art in Berlin, 2014
116
Meschac Gaba, Museum of Contemporary African Art in Berlin, 2014
Chapter: Map of Utopia - History, Cartography, Worlds Design
Wong Hoy Cheong, Study for Colonies Bite Back, 2001
117
Wong Hoy Cheong, Study for Colonies Bite Back, 2001
Chapter: Map of Utopia - History, Cartography, Worlds Design
Ellen Gallagher, La Chinoise, 2008
118
Ellen Gallagher, La Chinoise, 2008
Chapter: Map of Utopia - History, Cartography, Worlds Design
Mounira Al Solh, His Funeral, Our Funeral, Their Funeral, 2023
120
Mounira Al Solh, His Funeral, Our Funeral, Their Funeral, 2023
Chapter: Home of My Eyes - Home and Exile
Viviane Sassen, Code/Blue, 2019
122
Viviane Sassen, Code/Blue, 2019
Chapter: Small Right Hand Down - Democracy and Freedom
Jenny Holzer, Redaction Paintings, 2005-2008
123
Jenny Holzer, Redaction Paintings, 2005-2008
Chapter: Small Right Hand Down - Democracy and Freedom
Annette Kelm, Jeans Buttons, 2023
125
Annette Kelm, Jeans Buttons, 2023
Chapter: Small Right Hand Down - Democracy and Freedom
Mounira Al Solh, Sama'/Ma'as (Ba'ath), 2014
126
Mounira Al Solh, Sama'/Ma'as (Ba'ath), 2014
Chapter: Seelenfenster - Gesture, Movement, Cipher
Charles Hossein Zenderoudi, Chucavira, 1985
127
Charles Hossein Zenderoudi, Chucavira, 1985
Chapter: Seelenfenster - Gesture, Movement, Cipher
Siah Armajani, Panje Tan, 1960
128
Siah Armajani, Panje Tan, 1960
Chapter: Seelenfenster - Gesture, Movement, Cipher
Ahmed Mater, Sajdah Illumination, 2009
130
Ahmed Mater, Sajdah Illumination, 2009
Chapter: Seelenfenster - Gesture, Movement, Cipher
Imi Knoebel, Pencil drawings, untitled, 1972
131
Imi Knoebel, Pencil drawings, untitled, 1972
Chapter: Seelenfenster - Gesture, Movement, Cipher
Yūichi Inoue, TORI, 1976
132
Yūichi Inoue, TORI, 1976
Chapter: Seelenfenster - Gesture, Movement, Cipher
Yang Jiechang, 100 Layers of Ink, 1992-1994
133
Yang Jiechang, 100 Layers of Ink, 1992-1994
Chapter: Seelenfenster - Gesture, Movement, Cipher
Rebecca Horn, Seelenfenster (Painting with Sculpture “Zimbel Zen”), 2012
134
Rebecca Horn, Seelenfenster (Painting with Sculpture “Zimbel Zen”), 2012
Chapter: Seelenfenster - Gesture, Movement, Cipher
Shiryū Morita, KI (JU), 1989
135
Shiryū Morita, KI (JU), 1989
Chapter: Seelenfenster - Gesture, Movement, Cipher