“Ke Sale Teng”, which means I’m still Here, introduces viewers to the string of displacements and temporary accommodations, which the artist‘s family experienced before she was born. During apartheid, Black South Africans were prohibited from owning or renting land in areas that the government had designated ‘white’, which tended to be the most developed and desirable parts of the country. Black South Africans were forcibly removed and had to commute far from their homes to be able to work. Their movements were closely monitored through a pass system.
The central protagonist in this animated film is Kganye’s grandfather, who moved from the Orange Free State Province to the Transvaal to find work. Although Kganye was born in his Johannesburg home, she never knew her grandfather except through oral accounts shared by family members. It is these stories, combined with photographs from her family albums, on which her visual narratives are based. Although rooted in a specific time and place, Kganye’s themes of displacement, migration, and the search for a connection ot the past and place to belong have universal resonance.
"The more I researched my family history, it becomes apparent that family history remains a space of contradictions; it is a mixture of truth and fiction. Sometimes we rely on the family photo album as a way to understand what family is meant to be. What we often land up with is a grouping of images that have been constructed, and perhaps do not account at all for the histories and memories that are connected with that album. Such archives do not reveal easy answers, for me they reveal that time can break apart and reconnect and not quite fit back into one another." - Quote Lebohang Kganye
Information
Lebohang Kganye
*1990, Johannesburg, South Africa
lives and works in Johannesburg, South Africa
Audio guide
“Ke Sale Teng”, which means I’m still Here, introduces viewers to the string of displacements and temporary accommodations, which the artist‘s family experienced before she was born. During apartheid, Black South Africans were prohibited from owning or renting land in areas that the government had designated ‘white’, which tended to be the most developed and desirable parts of the country. Black South Africans were forcibly removed and had to commute far from their homes to be able to work. Their movements were closely monitored through a pass system.
The central protagonist in this animated film is Kganye’s grandfather, who moved from the Orange Free State Province to the Transvaal to find work. Although Kganye was born in his Johannesburg home, she never knew her grandfather except through oral accounts shared by family members. It is these stories, combined with photographs from her family albums, on which her visual narratives are based. Although rooted in a specific time and place, Kganye’s themes of displacement, migration, and the search for a connection ot the past and place to belong have universal resonance.
"The more I researched my family history, it becomes apparent that family history remains a space of contradictions; it is a mixture of truth and fiction. Sometimes we rely on the family photo album as a way to understand what family is meant to be. What we often land up with is a grouping of images that have been constructed, and perhaps do not account at all for the histories and memories that are connected with that album. Such archives do not reveal easy answers, for me they reveal that time can break apart and reconnect and not quite fit back into one another." - Quote Lebohang Kganye
Further artworks from this exhibition
Rohini Devasher: Borrowed Light
Reading into the Stars, 2013
Rohini Devasher
Terrasphere, 2015
Rohini Devasher
Atmospheres, 2015
Rohini Devasher
The Mirrored Sky, 2017
Rohini Devasher
One Hundred Thousand Suns, 2023
Borrowed Light, 2024
Rohini Devasher
Sol Drawings, 2023
Shadow Portraits, 2023 and
Sol Drawings, 2023
Rohini Devasher
GALLI
o.T., 2010
GALLI
Küchenbild rosa, 1994-2003
GALLI
o.T. (...die Blumen und wo den Sonnenschein und den Schatten der Erde...), 1987–1998
GALLI
o.T., 1994–2005
GALLI
Hier wohnt der Schweinepeitschenwurm, 2004–2014
GALLI
Schlachtenseerosen am 8. Juni 1986, 1986
GALLI
Langes Bild, 1985–1987
GALLI
o.T. (17.6.88), 1988
GALLI
o.T. (Freisemesterbericht), filmed in December 2007
GALLI
o.T. (Buch # 2_Liebe & Lyrik sind zweckfrei), filmed in December 2007
GALLI
Ohne Titel, Juli 2001–Juni 2007
GALLI
Für Edeltraud, Autobahngeschichte 1999, Dezember 1999
GALLI
Zustimmenden Engeln, November 1998–Februar 2000
GALLI
Ohne Titel, 2011–2015, Juli 2013
GALLI
ja, 29. Oktober–29. Dezember 2013
GALLI
Index Cards, 2000–06
GALLI
Intro
Sammy Baloji
Untitled, 2018
Lubaina Himid
Dreaming Has a Share in History, 2016
Zohra Opoku
‘I have arisen from my egg which is in the lands of the secrets. I give my mouth to myself (so that) I may speak with it in the presence of the gods of the Duat. My hand shall not be turned away from the council of the great god Osiris, Lord of Rosetau, this one who is at the top of the dais. I have come (so that) I may do what my heart desires in the Island of Fire, extinguihing the fire which hcomes forth.', 2020
Dineo Seshee Bopape
Lerole: footnotes (The struggle of memory against forgetting), 2017
La Chola Poblete: Guaymallén
Pop Icon, Holy Virgin, Pachamama: La Chola’s Vírgenes Watercolors
Hard rock, Rolinga, Ballroom: La Chola Poblete’s Banner Installation
Materiality, Metaphors, and Opposites
Myths and Madonnas: Staged Photographs
Playing with Cultural Expectations: La Chola Poblete and the Nazca Lines
Venus papas lays, 2023
Venus Cacharos, 2023
The Striped Column: A Tribute to Freddi Mamani Silvestre’s Neo-Andean Architectural Style
Intro
Kara Walker
The Invisible Beauty, 2001
Berni Searle
Traces, 1999
Wangechi Mutu
The Original Nine Daughters, 2012
Toyin Ojih Odutola
The Casting of Oil and Water II, 2015
Mohamed Camara
Certains matin no. 61 au réveil…. (Some Mornings on Walking…), 2006
Samuel Fosso
70's Lifestyle series, 1957-78
Mikhael Subotzky
Moses and Griffiths, 2012
The Maid
Mercedes Cabral as the Maid
Exhibition Intro
Elena Asins
Iching 2, ca. 1975
Backstage Intro
Michelangelo Pistoletto
Quadro di fili elettrici, 1967
Luca Vitone
Sonorizzare il luogo (Grand Tour), 1989-2001
Armin Linke
Chamber of Deputies, Rome, Italy, 2007
From the serie/ aus der Serie Il Corpo dello Stato, 2002-2009
Giorgio Andreotta Calò
Scale model for Senza titolo (La fine del mondo), 2017-2018
Prelude Intro
Maurizio Nannucci
The missing poem is the poem, 1969
Theatre of the Everyday Intro
Jimmie Durham
A Proposal for a New International Genuflexion in Promotion of World Peace, 2007
Rosa Barba
NO - Orchestra con nastro, 2022
Luigi Ontani
Davide e Prigioni. L'après Michelangelo, 1970
Kara Walker
For the Benefit of All the Races of Mankind [(Mos’ Specially the Master One, Boss) An Exhibition of Artifacts, Remnants, and Effluvia Excavated from the Black Heart of a Negress II], 2002
William Kentridge
Preparing the Flute, 2005
Chen Zhen
Un-interrupted Voice, 1998
Stage Intro
Susan Philipsz
Wild Is the Wind, 2002
Olaf Nicolai
Positi. Rome Version, 2022
LuYang
LuYang’s cosmos
Six reincarnations: the DOKU avatars
DOKU Human
DOKU Heaven
DOKU Asura
DOKU Animal
DOKU Hungry Ghost
DOKU Bardo #1, 2022
DOKU Mind Matrix, 2022
DOKU the Self, 2022
Conny Maier
Dominieren, 2021
Caline Aoun
Artist of the Year 2019 - Caline Aoun
Kemang Wa Lehulere
Artist of the Year 2017 - Kemang Wa Lehulere
Basim Magdy
Artist of the Year 2016 - Basim Magdy
Koki Tanaka
Artist of the Year 2015 - Koki Tanaka
Victor Man
Artist of the Year 2014 - Victor Man
Imran Qureshi
Artist of the Year 2013 - Imran Qureshi
Roman Ondak
Artist of the Year 2012 - Roman Ondak
Wangechi Mutu
Artist of the Year 2010 - Wangechi Mutu
Claudia Wieser
In the Round, 2020/2021
Wilhelm Müller
24.2.92 (Variationen zu einem Thema von Otto Freundlich), 1992
Adriana Czernin
Ibn Tulun 98, 2018
Nima Nabavi
2020.01.27 (8.0.11), 2020
Kapwani Kiwanga
Linaer Painting #8: Alberta Hospital (Ponoka, Alberta)
Katharina Grosse
Ohne Titel, 1996
Blinky Palermo
Fünf Miniaturen, 1972
Cabrita
Drawing The Garden # 5, 2005
Tadaaki Kuwayama
RED, 1992
Georg Karl Pfahler
Ohne Titel, 1960
Kerstin Brätsch
Unstable Talismanic, 2016
Imi Knoebel
Ohne Titel, aus dem Zyklus ""Im Sommer 84""