The young man posing here, in bell-bottoms and in front of a hand-painted backdrop, is now one of the most renowned African photographers: Samuel Fosso. In 1975, at the age of just thirteen, he opened his own photographic studio in Bangui, the capital of the Central African Republic. During the day, he photographed his clients; at night, he turned the lens on himself to finish the roll of film. Some of the self-portraits were for his grandmother, who remained in Nigeria after he was sent to live with an uncle to escape political instability in the aftermath of the Biafran War. With the photographs, Fosso wanted to reassure his grandmother that he was safe and well. In these portraits, Fosso experiments with different roles and poses, drawing inspiration from images of pop stars and other celebrities seen in magazines and on record covers.
"I did not know I was making art photography. What I did know was that I was transforming myself into what I wanted to become. I was living out a series of ideas about myself.“ - Quote Samuel Fosso
Since the 1970s Fosso has consistently used his own body to explore issues of race, identity, and history.
"When I work, it's always a performance that I choose to undertake. It's not a subject or an object; it's one more human being. I link my body to this figure, because I want to translate its history." - Quote Samuel Fosso
A particularly intimate work is the series "Memoire d'un Ami", in which the artist appears undisguised, naked and vulnerable. It's an attempt to come to terms with the murder of a friend. Samuel Fosso was hiding in the same house when his friend was killed by members of an armed Central African militia. An image from that series is also on display in this room.
Information
Samuel Fosso
*1962, Kumba, Kamerun
lives and works in Bangui, Central African Republic (CAR)
Audio guide
The young man posing here, in bell-bottoms and in front of a hand-painted backdrop, is now one of the most renowned African photographers: Samuel Fosso. In 1975, at the age of just thirteen, he opened his own photographic studio in Bangui, the capital of the Central African Republic. During the day, he photographed his clients; at night, he turned the lens on himself to finish the roll of film. Some of the self-portraits were for his grandmother, who remained in Nigeria after he was sent to live with an uncle to escape political instability in the aftermath of the Biafran War. With the photographs, Fosso wanted to reassure his grandmother that he was safe and well. In these portraits, Fosso experiments with different roles and poses, drawing inspiration from images of pop stars and other celebrities seen in magazines and on record covers.
"I did not know I was making art photography. What I did know was that I was transforming myself into what I wanted to become. I was living out a series of ideas about myself.“ - Quote Samuel Fosso
Since the 1970s Fosso has consistently used his own body to explore issues of race, identity, and history.
"When I work, it's always a performance that I choose to undertake. It's not a subject or an object; it's one more human being. I link my body to this figure, because I want to translate its history." - Quote Samuel Fosso
A particularly intimate work is the series "Memoire d'un Ami", in which the artist appears undisguised, naked and vulnerable. It's an attempt to come to terms with the murder of a friend. Samuel Fosso was hiding in the same house when his friend was killed by members of an armed Central African militia. An image from that series is also on display in this room.
Further artworks from this exhibition
Rohini Devasher: Borrowed Light
Reading into the Stars, 2013
Rohini Devasher
Terrasphere, 2015
Rohini Devasher
Atmospheres, 2015
Rohini Devasher
The Mirrored Sky, 2017
Rohini Devasher
One Hundred Thousand Suns, 2023
Borrowed Light, 2024
Rohini Devasher
Sol Drawings, 2023
Shadow Portraits, 2023 and
Sol Drawings, 2023
Rohini Devasher
GALLI
o.T., 2010
GALLI
Küchenbild rosa, 1994-2003
GALLI
o.T. (...die Blumen und wo den Sonnenschein und den Schatten der Erde...), 1987–1998
GALLI
o.T., 1994–2005
GALLI
Hier wohnt der Schweinepeitschenwurm, 2004–2014
GALLI
Schlachtenseerosen am 8. Juni 1986, 1986
GALLI
Langes Bild, 1985–1987
GALLI
o.T. (17.6.88), 1988
GALLI
o.T. (Freisemesterbericht), filmed in December 2007
GALLI
o.T. (Buch # 2_Liebe & Lyrik sind zweckfrei), filmed in December 2007
GALLI
Ohne Titel, Juli 2001–Juni 2007
GALLI
Für Edeltraud, Autobahngeschichte 1999, Dezember 1999
GALLI
Zustimmenden Engeln, November 1998–Februar 2000
GALLI
Ohne Titel, 2011–2015, Juli 2013
GALLI
ja, 29. Oktober–29. Dezember 2013
GALLI
Index Cards, 2000–06
GALLI
Intro
Sammy Baloji
Untitled, 2018
Lubaina Himid
Dreaming Has a Share in History, 2016
Zohra Opoku
‘I have arisen from my egg which is in the lands of the secrets. I give my mouth to myself (so that) I may speak with it in the presence of the gods of the Duat. My hand shall not be turned away from the council of the great god Osiris, Lord of Rosetau, this one who is at the top of the dais. I have come (so that) I may do what my heart desires in the Island of Fire, extinguihing the fire which hcomes forth.', 2020
Dineo Seshee Bopape
Lerole: footnotes (The struggle of memory against forgetting), 2017
La Chola Poblete: Guaymallén
Pop Icon, Holy Virgin, Pachamama: La Chola’s Vírgenes Watercolors
Hard rock, Rolinga, Ballroom: La Chola Poblete’s Banner Installation
Materiality, Metaphors, and Opposites
Myths and Madonnas: Staged Photographs
Playing with Cultural Expectations: La Chola Poblete and the Nazca Lines
Venus papas lays, 2023
Venus Cacharos, 2023
The Striped Column: A Tribute to Freddi Mamani Silvestre’s Neo-Andean Architectural Style
Intro
Kara Walker
The Invisible Beauty, 2001
Berni Searle
Traces, 1999
Wangechi Mutu
The Original Nine Daughters, 2012
Toyin Ojih Odutola
The Casting of Oil and Water II, 2015
Lebohang Kganye
Ke Sale Teng (I'm Still Here), 2017
Mohamed Camara
Certains matin no. 61 au réveil…. (Some Mornings on Walking…), 2006
Mikhael Subotzky
Moses and Griffiths, 2012
The Maid
Mercedes Cabral as the Maid
Exhibition Intro
Elena Asins
Iching 2, ca. 1975
Backstage Intro
Michelangelo Pistoletto
Quadro di fili elettrici, 1967
Luca Vitone
Sonorizzare il luogo (Grand Tour), 1989-2001
Armin Linke
Chamber of Deputies, Rome, Italy, 2007
From the serie/ aus der Serie Il Corpo dello Stato, 2002-2009
Giorgio Andreotta Calò
Scale model for Senza titolo (La fine del mondo), 2017-2018
Prelude Intro
Maurizio Nannucci
The missing poem is the poem, 1969
Theatre of the Everyday Intro
Jimmie Durham
A Proposal for a New International Genuflexion in Promotion of World Peace, 2007
Rosa Barba
NO - Orchestra con nastro, 2022
Luigi Ontani
Davide e Prigioni. L'après Michelangelo, 1970
Kara Walker
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William Kentridge
Preparing the Flute, 2005
Chen Zhen
Un-interrupted Voice, 1998
Stage Intro
Susan Philipsz
Wild Is the Wind, 2002
Olaf Nicolai
Positi. Rome Version, 2022
LuYang
LuYang’s cosmos
Six reincarnations: the DOKU avatars
DOKU Human
DOKU Heaven
DOKU Asura
DOKU Animal
DOKU Hungry Ghost
DOKU Bardo #1, 2022
DOKU Mind Matrix, 2022
DOKU the Self, 2022
Conny Maier
Dominieren, 2021
Caline Aoun
Artist of the Year 2019 - Caline Aoun
Kemang Wa Lehulere
Artist of the Year 2017 - Kemang Wa Lehulere
Basim Magdy
Artist of the Year 2016 - Basim Magdy
Koki Tanaka
Artist of the Year 2015 - Koki Tanaka
Victor Man
Artist of the Year 2014 - Victor Man
Imran Qureshi
Artist of the Year 2013 - Imran Qureshi
Roman Ondak
Artist of the Year 2012 - Roman Ondak
Wangechi Mutu
Artist of the Year 2010 - Wangechi Mutu
Claudia Wieser
In the Round, 2020/2021
Wilhelm Müller
24.2.92 (Variationen zu einem Thema von Otto Freundlich), 1992
Adriana Czernin
Ibn Tulun 98, 2018
Nima Nabavi
2020.01.27 (8.0.11), 2020
Kapwani Kiwanga
Linaer Painting #8: Alberta Hospital (Ponoka, Alberta)
Katharina Grosse
Ohne Titel, 1996
Blinky Palermo
Fünf Miniaturen, 1972
Cabrita
Drawing The Garden # 5, 2005
Tadaaki Kuwayama
RED, 1992
Georg Karl Pfahler
Ohne Titel, 1960
Kerstin Brätsch
Unstable Talismanic, 2016
Imi Knoebel
Ohne Titel, aus dem Zyklus ""Im Sommer 84""